Episodio 292: Slayer 213 year 1994. English Version.
00:00:00 - Classics, Songs, All Time
00:00:08 - Hello, we are in rock classics of all time.
00:00:12 - Breedings from Argentina to everyone.
00:00:16 - We continue on Spotify and Pocketcast platforms.
00:00:21 - We tell stories and anecdotes about rock songs and characters.
00:00:25 - Today a black story on this podcast. We enter room 213 Metallica
00:00:55 - Anthrax, Exodus, Overkill and all the Thresh Metal bands are on classic rocks all time.
00:01:33 - Find us in the Google search engine, inserting the word PodNation and enter our page, I chose the chapter that you like the most and enjoy.
00:02:01 - After 1994, Dave Lombardo left Slayer and the band is about to dissolve.
00:02:09 - The miracle occurs and they find the right person Paul Steven Boestat, a genius in the art of playing drums in double bass, just right for Slayer.
00:02:20 - This allowed him to edit another Divine Intervention album.
00:02:24 - Within it is a song with a dark and diabolical story, 213.
00:02:30 - Dahmer was born in 1960 in Milwaukee, Wisconsin, where he committed most of his crimes.
00:02:36 - Since he was little, Dahmer began to show an interest in dead animals, even collecting skeletons of small animals and roadkill.
00:02:43 - It is also said that he exhibited strange behavior in high school.
00:02:50 - Dahmer was responsible for the murder of 17 men and boys between 1978 and 1991.
00:02:57 - His disgusting murders involved dismemberment, necrophilia and cannibalism.
00:03:02 - Years later, Dahmer would be known as the Milwaukee Cannibal.
00:03:06 - It was also discovered that he kept human body parts in his house.
00:03:11 - Before committing the murders, Dahmer had been arrested on several occasions, including for groping a minor.
00:03:19 - He committed his first murder just three weeks after graduating from high school in 1978.
00:03:28 - He killed his second victim in the late 1980s, after a stint in the military and continued for years until his arrest in 1991.
00:03:38 - Dahmer's victims were predominantly black, Asian and Latino men, ranging in age from 14 to 33.
00:03:45 - He found his victims in various places, including gay bars and shopping malls.
00:03:50 - His story ends in the year 1991 in which he was convicted and then died in gloriously in prison.
00:03:58 - Tom has a fascination with the minds of serial killers, and he certainly did his homework on this one.
00:04:04 - A perfect description of Jeffrey Dahmer.
00:04:06 - Yes, 213 was the appropriate number for him where most of his murders occurred.
00:04:12 - There are a lot of details here that show that Tom has the correct representation.
00:04:19 - Total control of a prized possession perfectly describes Dahmer.
00:04:26 - Serial killers have a need to make their killings increasingly sexually explicit and bizarre, as they soon become bored with their original and simpler methods of killing.
00:04:36 - Dahmer's urges got so out of control that he actually tried to create mindless sex slaves by drilling holes in their heads and pouring acid into their brains.
00:04:45 - I think this practice of Domers is the reason for the, how I wish, how I wish I could kill you.
00:04:53 - That's Domers summed up perfectly. Love and murder are inseparable for him.
00:05:00 - This lyric is 100% accurate on Domers' part.
00:05:06 - The History of Rock and Roll in Closic Rocks All Time Podcasts
00:07:10 - Diving the bullshit, all this now comes to mind
00:07:20 - Dextral release, very deep inside
00:07:23 - The thinker's tone of a prize for passion
00:07:26 - To justify the window of action
00:07:29 - Slowly so emptiness fulfills
00:07:32 - Physical parts of anything, they're thrilled
00:07:35 - And now things are presented reality
00:07:38 - In absentia beyond your wildest dreams
00:07:42 - Yes, the final embrace
00:07:45 - Your full steadiness
00:07:48 - Memories keep love alive
00:07:51 - Memories will never die
00:07:55 - The excitement of that section between
00:07:58 - Must be drawn with organic seeds
00:08:01 - Lively toxic for my subjections
00:08:04 - In absentia beyond your imagination
00:08:07 - Preventing instincts of passion for flesh
00:08:10 - Grabbing beating on the fountains of death
00:08:13 - Shouldn't they act a lot so true
00:08:16 - And normally massacrating upon a view
00:08:19 - Death looks final and great
00:08:23 - Your cool tenderness
00:08:26 - Memories keep love alive
00:08:29 - Memories will never die
00:08:34 - I need a friend, please be my companion
00:08:42 - I don't want you left alone
00:09:04 - Waaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
00:09:34 - I've been excitedly with my hands around your neck
00:09:39 - Shades are drawn, no one else can see
00:09:44 - What I've done, what's become of you
00:09:49 - Do I stand above all that's been true
00:09:55 - How I love, how I love to kill you you