Episodio 75: Motorhead Bomber year1979. English Version
00:00:00 - The most incredible groups and songs, they're anecdotes in classic rocks all timed.
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00:01:12 - Yes, we are again in another chapter of Classic Rocks All Time, the podcast that has followers all over the world, in its two editions in English and Spanish.
00:01:32 - Today, Lemmy's band is present in this podcast.
00:01:43 - Finding classic rocks all time, the most incredible stories and anecdotes.
00:01:49 - Musicians, Bruce Dickinson.
00:01:51 - Want to see us.
00:01:53 - And more people want to see us.
00:01:55 - And, you know, I mean, first of all, we love, you know, we love doing it.
00:01:58 - It's really a kind of a privilege to be, you know, 51 years old and being able to go out, just still to have a voice.
00:02:14 - Lemmy.
00:02:15 - Well, it's spelled differently than everything.
00:02:16 - It's called orgasmatron.
00:02:19 - Rudd Helford.
00:02:20 - I think are useful just because of the fact that with what I try and do, it's important to try and...
00:02:31 - Eric Clapton and Paul Stanley
00:02:33 - But piano was inconceivable, I mean, you can't, you can't just go and buy a piano or his guitar is much more accessible.
00:02:40 - I think I was very driven, period, it was to compensate, to make myself feel more worthy.
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00:02:55 - Bomber is the third studio album by Motorhead, who is considered the first metal punk band in the world and belongs to the best stage of the group, it was recorded by the most classical formation and remembered between two masterpieces such as, Overkill, and Ace of Spades, and retains the greatness of that time, all the aura of the glory days of the hosts of Lemmy, which span the period 1977-1982, the album Bomber was released in the year 1979, months after the release of Overkill.
00:03:53 - The band took advantage of the popularity but Bomber was not as good as its predecessor.
00:04:05 - The band wanted to take advantage of the great moment of popularity, the state of creative grace in which they lived, and Bomber was not as good round like its predecessor, but the Bomber theme has a monumental riff, devastating basses, thunderous drums and monstrous
00:04:20 - This voice is executed with overwhelming mastery.
00:04:34 - Motorhead knew they were at their best, they knew how to mix the best nuances of rock,
00:04:38 - Punk and Hay of EY.
00:04:51 - Tim Butcher, who is the bass tech for the late Lemmy, tells us.
00:04:55 - Okay, my name's Tim, Tim Butcher. I'm Lem's bass tech.
00:04:59 - I tune his basses and kind of look up.
00:05:03 - I'm back here after 26 years, I'm still here, you know, it's, I love it.
00:05:07 - It's my job, it's what I do.
00:05:09 - It's a pain in the ass, but it's what I do.
00:05:11 - That's great, it's like being on holiday with your mates and getting paid for it too.
00:05:14 - Lem's ideal bass sound.
00:05:16 - The tone he wants is like, you know, in the old war movies, where you saw the Stuka bomber, the diver, there was that drone.
00:05:23 - That kind of thing. That's what Lem wants.
00:05:26 - He likes it loud, of course, as you may have noticed.
00:05:29 - And full on.
00:05:31 - His sound is just up, isn't it? Everything's up.
00:05:34 - It goes up to twelve deep.
00:05:35 - You know, it's over the top.
00:06:01 - I ain't no hope in hell, nothing gonna bring us down
00:06:12 - The way you reply, five miles off the ground
00:06:21 - Because, we're made sure to kill, I ain't no way to win
00:06:29 - It's a bomber, it's a bomber
00:06:34 - Spear the thousand miles
00:06:36 - Hear the black death, the rising moon
00:06:43 - Firestorm coming closer
00:06:46 - They form to the bone
00:06:51 - The details
00:06:52 - You know we do it right
00:06:54 - A mission every night
00:06:56 - It's a bubble, it's a bubble, it's a bubble
00:07:26 - No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:07:56 - Oh
00:08:26 - Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,